Wednesday, 16 October 2013

before there was wikipedia...Diderot's 300th Birthday




"A thing is not proved just no one has ever questioned it.
What has never been gone into impartially has never been properly gone into.
Hence scepticism is the first step toward truth .
It must be applied generally, because it is the touchstone."
 Diderot


Grande figure de la philosophie des Lumières et créateur de l’Encyclopédie,  
Denis Diderot, né à Langres (Haute-Marne) 
le 5 octobre 1713, mort à Paris le 31 juillet 1784.



File:Denis Diderot 111.PNG
Diderot by Louis-Michel van Loo, 1767
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Before there was Wikipedia, there were encyclopedias — 
 October 5th marked the 300th birthday of the father of one of the world's most important.

18th century French philosopher Denis Diderot 
was the driving force behind the Encyclopédie,  
one of the first compendiums of human knowledge of its time.


 File:Encyclopedie de D'Alembert et Diderot - Premiere Page - ENC 1-NA5.jpg

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The anniversary of his birth has prompted calls for Diderot to receive France's highest honor: 
have his remains reinterred in Paris' Pantheon, 
a mausoleum of sorts for France's national heroes.

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'The Major Intellectual Adventure Of The 18th Century'

Diderot was one of the major figures of the French Enlightenment, 
a time when thinkers like Voltaire and Jean-Jacques Rousseau 
expounded on the freedoms of religion and expression, 
as well as the power of reason over blind faith.
As a philosopher, though, Diderot has kind of been lost to history. 
Walk down into the crypts below the Pantheon and you will find huge, 
glorious tombs to Voltaire and Rousseau — but no Diderot.

At 300, Encyclopedia Pioneer May Yet Get A Hero's Burial.....








File:Un dîner de philosophes.Jean Huber.jpg

'Une diner des philosophes'




by Jean Huber Voltaire

Denis Diderot is the third from the right




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Our observation of nature must be diligent, 
our reflection profound, and our experiments exact. 
We rarely see these three means combined and for this reason, 
creative geniuses are not common."


http://laurierojas.platypus1917.org/wp-content/uploads/2008/11/denisdiderot.jpg
Portrait of Denis Diderot, by Fragonard.

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  Fanaticism is just one step away from barbarism."

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A block or so away at the Sorbonne Library, Philippe Marcerou flips through an original, 
leather-bound edition of Diderot's crowning achievement. 
The 28-volume Encyclopédie was first published in 1751 
and took Diderot more than 20 years to complete, 
with the help of more than a hundred other writers.

"The Encyclopédie is the major intellectual adventure of the 18th century," 
says Marcerou, the library's director.
The collection's big innovation was Diderot's system of cross-references that link disparate 
but related articles together — what Marcerou calls a kind of search algorithm for the 1700s.

"Today everybody knows Google," Marcerou says. 
"The major invention of the Encyclopédie is the same system: 
The cross-reference is a way of making a kind of web out of the knowledge."

Caroline Warman, a French scholar at the University of Oxford, 
says even the simplest of entries can lead readers on a wild journey. 

Take the definition for apricot: 
It's just a run-of-the-mill, botanical entry, but at the end there's this little asterisk.
"The asterisk introduces a recipe written by Diderot himself about how to make apricot jam," 
Warman says. 
Diderot recommends using green apricots and filling a basin half full with water, 
but the sugar is where things get really interesting.

And if you're Marcerou, that might prompt you to look up liberty
which he says is one of the Encyclopédie's most important entries.

"The definition is: 
'Liberty consists in the power of an intelligent being (to do) 
what he wants according to his own determination,'
Marcerou says, reading from the Encyclopédie.

"This particular definition, in the middle of the 18th century, 
is something absolutely incredible."

Ultimately, he says, 
Diderot challenged the authority of the French monarchy and the Catholic Church.


http://www.abebooks.fr/blog/wp-content/uploads/2013/10/portrait-diderot.jpg


Only passions, great passions, 
can elevate the soul to great things."

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...Some scholars say the ideas circulated in the Encyclopédie helped lay the foundation 
for the French Revolution, and even the American Revolution that came before it.

Andrew Curran, an expert on Diderot at Wesleyan University, 
explains that with over 20,000 copies in print, 
Diderot's encyclopedias were among the most widely distributed 
 and influential books of the era.

"Commercially, the encyclopedia did extremely well," he says. 
"Diderot himself made very little money off the whole project, 
but the publishers became extremely rich."....

read all     here


 File:Langres - Denis Diderot.jpg
Statue of Denis Diderot 
in the city of Langres, his birthplace

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There are three principal means of acquiring knowledge. . . 
observation of nature, reflection, and experimentation. 
Observation collects facts, 
reflection combines them, 
experimentation verifies the result of that combination."
Denis Diderot

 Denis Diderot signature.svg
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links:
http://en.wikipedia.org/wiki/Denis_Diderot 
http://www.npr.org/2013/10/05/228892676/at-300-encyclopedia-pioneer-may-yet-get-a-heros-burial


Thursday, 10 October 2013

Guiseppe Verdi - 200th Birthday


Verdi is almost peerless when it comes to Italian composers. 
The world honors his rich musical legacy this week 
in conjunction with the master composer's 200th birthday.


Guiseppe Verdi
(c) picture-alliance/akg images
Giuseppe Verdi, 1813 - 1901


Two hundred years ago, on October 10 (or Oct. 9), 1813, 
Giuseppe Verdi 
was born in a village called Le Roncole in northern Italy. 
Today, many of his enchanting operas are standards on the playbills 
of the world's most renowned opera houses.

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A solitary boy at the organ

His parents were relatively simple people, 
who owned a small amount of land and an inn, 
but had little interest in the arts. 
That didn't stop Verdi from devoting himself passionately to music at an early age. 
A shy and serious child, he played seldom with others, 
preferring to spend time alone or get lessons on the organ 
from the village school teacher 
 in a little local church called San Michele.

When Giuseppe started secondary school in 1823, 
he had to move to the neighboring town Busseto. 
After his former teacher died in the same year, 
the 10-year-old boy took pride in making the 5-kilometer (3-mile) walk 
back to the San Michele square on every Sunday and holiday to take his seat at the organ.

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Early defeats and set-backs

In 1832, the qualifying examination for a conservatory in Milan 
led to a harsh disappointment for Verdi - one that he never forgot. 
He failed the exam for lacking proficiency at the piano.
Thereafter, he got his first professional private lessons with Vincenzo Lavigna,
 and the result within just a few years was decidedly positive. 
 In 1834, he was made the official organist in Busseto, 
and in 1836, the town's music director.

 A monument to Verdi in Busseto
(c) picture-alliance/Bildagentur Online
 A monument to Verdi in Busseto

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Change, then tragedy also came in Verdi's private life. 
He married Margherita Barezzi, the daughter of his long-time patron. 
The couple had two children. However, both of them along with his wife 
died within a very short time of one another.
His family catastrophe was followed by a sobering moment professionally.
 Verdi's early opera "Un giorno di regno," 
written in the comic style of Rossini, 
drew heavy boos from the audience at Milan's La Scala opera house.

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At 27, Verdi felt hopeless and saw few possibilities for his life going forward. 
But he persevered. Eventually, he overcame his depression and threw himself into his work. 
His efforts during the following decades resulted in a total of nearly 30 operas,
 along with a world-famous requiem and a highly esteemed string quartet.

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In 1858, the musician and composer married a second time, 
this time Guiseppina Strepponi, a former singer. 
They spent most of their time secluded in his country house in Sant' Agata.



To claim that Verdi re-invented Italian opera in the 19th century 
from the ground up would be wrong. 
His earliest attempts at writing opera 
owe much to the style of singing known as belcanto. 

Verdi clearly worked in the tradition of Gioachino Rossini, 
Gaetano Donizetti and Vincenzo Bellini, 
all Italian composers of significant stature.

But the 19th century maestro did introduce change to the genre. 
 "Musically, he upped really all of the factors toward intensifying expression, 
in order to be able to put truths on the opera stage in a brand new way," 
says Verdi biographer Holger Noltze, 
who believes the composer's rendering of truth through music, 
dramaturgy and staging represents his unique contribution.

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File:Giuseppe Verdi00.jpg
 Giuseppe Verdi in Vanity Fair (1879)

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Political music

Particularly in the operas from 1840 to 1850, 
but also in Verdi's late musical dramas, 
an unmistakable and sweeping political sensibility manifests itself. 
 
The opera "Nabucco," his big breakthrough in 1842,

 File:Nabucco.jpg

with its "Chorus of the Hebrew Slaves," 
offers perhaps the best example.
On the surface, it's the story of the Jewish people's 
struggle for freedom from the Babylonians. 
But Verdi expert Holger Noltze sees another narrative at work: 
"The opera is connected with the Italian unification movement. 
The Hebrews are, of course, the Biblical Hebrews, 
but everyone knew they were the Italians under Austrian rule."




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Verdi's career high point came in the narrow period of two years 
from 1851 to 1853 when he wrote the operas "Rigoletto," 


 File:Rigoletto premiere poster.jpg

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 "Rigoletto"

File:Rigoletto premiere costumes for the Duke and Gilda.jpg
 Costumes for the Duke of Mantua and Gilda
published by Casa Ricordi shortly after the 1851 premiere

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"Il Trovatore" and,

 finally, "La Traviata." 


Here he mastered an intensified form of expression and created true musical dramas.

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But Verdi's "Aida" from 1871 as well as the late works beginning in 1881 
are considered theatrical total works of art.


File:Verdi conducting Aida in Paris 1881 - Gallica (adjusted).jpg
Verdi conducting the 1880 Paris Opera premiere of "Aida"

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File:Amneris (1872).jpg
Amneris.
Costume design for 1872 premiere in La Scala

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File:Set design by Philippe Chaperon for Act1 sc2 of Aida by Verdi 1871 Cairo - Gallica (adjusted).jpg
Act 1 scene 2 set design by Philippe Chaperon for the Cairo premiere

 Aida met with great acclaim when it finally opened 
in Cairo on 24 December 1871.


 File:Set design by Edouard Despléchin for Act2 sc2 of Aida by Verdi 1871 Cairo - Gallica.jpg
Act 2, scene 2 set design by Edouard Despléchin for the Cairo premiere



 Sketch by Auguste Mariette for the premiere


The costumes and accessories for the premiere were designed by Auguste Mariette,
who also oversaw the design and construction of the sets,
which were made in Paris by the Opéra's scene painters Auguste Rubé
and Philippe Chaperon (Acts 1 and 4)
and Edouard Despléchin and Jean-Baptiste Lavastre (Acts 2 and 3), and shipped to Cairo.

 Although Verdi did not attend the premiere in Cairo,
he was most dissatisfied with the fact that the audience consisted of invited dignitaries,
politicians and critics, but no members of the general public.
He therefore considered the Italian (and European) premiere,
held at La Scala, Milan on 8 February 1872,
and a performance in which he was heavily involved at every stage,
to be its real premiere.

 File:Amneris (1872).jpg
Amneris.
Costume design for 1872 premiere in La Scala


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File:Aida poster colors fixed.jpg
Poster for a 1908 production in Cleveland

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 File:Arena di Verona AIDA von Giuseppe Verdi.jpg
2007 production of  "Aida" at the Arena di Verona

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Casa Verdi

More than just the Italian master's musical theater survives him, though.
Verdi created his own memorial in 1884, six years before his death, 
when he founded a home for seniors in Milan, 
the Casa di Riposo per Musicisti - a facility that still operates.
The idea behind it was to create a place for aged singers or musicians 
that was as comfortable - and musical - as possible. 
Verdi's remains, along with those of Guiseppina Strepponi, are buried there.


with thanks to Verdi expert Holger Noltze







Portrait by Giovanni Boldini, 1886.
This famous portrait was the main inspiration of Luchino Visconti
in creating the character played by Burt Lancaster in his film Il Gattopardo.


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"Of all composers, past and present, I am the least learned. 
I mean that in all seriousness, and by learning 
I do not mean knowledge of music." ~ Verdi, 1869

File:Verdi-photo-Brogi.jpg

signature written in ink in a flowing script

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File:Verdi statue.jpg

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Saturday, 5 October 2013

Early-October-Impressions...


....at La Pouyette


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Amazing....


...Mexican Orange - Choisya ternata - ...


....just started flowering again, 
the third time this year!

Amazing!

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still some grapes "on the palm tree"
;)

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My olives...


...not all that many....


....but despite the terrible two winters we had
- in March last year the little trees were nearly dead -
now, they are not doing too badly.  
Looking so much forward to the harvest!

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The walnuts are also on "their way....".

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No need to comment the Hydrangea's weekly-color-change....

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Yellow-green figs, the perfect variety for drying,


  'sweet' paradise for all kind of insects and birds, 
for the last butterflies,

all these little creatures just love it...the juice...the sweetness...



Some  of the figs are already ripe, some burst, some eaten, 
and some need still more time,


very late this year!

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Slowly but surely....



Autumn is coming....




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To lift up this 'autumnal" post:


Clarinet Concerto - Rondo

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Some of the Dahlias...
...still going on flowering... 
...since July!

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Best wishes for a wonderful weekend,
a bientôt...