Showing posts with label Black Forest. Show all posts
Showing posts with label Black Forest. Show all posts

Tuesday, 15 July 2014

A short trip to Germany - Black Forest - Part 1


Whenever I go to visit my family in South Germany,
halfway between Strassburg-France and Basel-Switzerland
(to give you a geographic idea),
having a bit of a "wallpaper change",
I always make some outings or/and excursions to the Black Forest.

At my recent short trip in June I planned to visit some of the  beautiful priories and small monasteries,
 almost hidden in the valleys and mountains of the Black Forest.


St. Ulrich  
just about 40 minutes drive from the University city Freiburg i. Breisgau



 St. Ulrich's Priory in the Black Forest (St. Ulrich im Schwarzwald)
was a priory of Cluny Abbey (in Burgundy)
founded in the valley of the River Möhlin in the Black Forest in about 1083.




The origins of the Cluniac priory of St. Ulrich lie in the time of the Investiture Controversy, 
when Ulrich of Zell (d. 1093), a monk of Regensburg and Cluny, 
founded a priory of the latter house on the western edge of the Black Forest. 
In the process Ulrich took over an already existing monastic community,
 founded before 1072 on the Tuniberg (near Ober- and Unterrimsingen),
which had moved between 1077 and 1080 to Grüningen near Oberrimsingen.
 Ulrich was considerably helped in this matter by the strong links with Cluny
 which had already been built up by the founder of the existing monastery, 
the nobleman Hesso of Eichstetten and Rimsingen, 
and by Hermann I, Margrave of Baden (d. 1074). 

 

At Ulrich's instigation the community moved yet again in about 1087, this time to Zell in the Möhlin valley, 
where in 868 there had been a cell of the Abbey of St. Gall. Burkhard of Hasenburg (or of Fenis), Bishop of Basle from 1072 to 1107, obtained possession for the priory of the surrounding land, which was in need of clearance.

This, the only Cluniac house on the right bank of the Rhine, developed very satisfactorily. 
The priory's estates included possessions in the Breisgau, Alsace and in the Ortenau; 
 it owned inter alia the rectories of Grüningen, Wolfenweiler, Bollschweil and Hochdorf, 
and in 1315 exchanged the contested rectory of Achkarren for that of Feuerbach.

The Vögte (lords protector) were: the Counts of Nimburg; 
the Bishops of Strasbourg (1200); the Hohenstaufen Kings (1236); 
the Counts of Freiburg im Breisgau; and the Dukes of Further Austria (1445).

 
Coat of arms-Fresco inside the church

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The priory and settlement were referred to both as "Zell" and as "St. Ulrich's" until the 14th century, 
when St. Ulrich's became the established name.
The monastic community declined in the 13th century. 
Repeated visitations from Cluny bear witness to a drastically reduced community, 
of four to seven monks and the prior. 
There was some revival under Prior Paulus von Kůnheim (1448–1489), 
but the community lost all independence during the Reformation.

 

St. Ulrich's became in 1547 a priory of St. George's Abbey in the Black Forest,
 and then in 1560 of St. Peter's Abbey in the Black Forest, into which it was fully incorporated in 1578.
In 1806, during secularisation, it was dissolved at the same time as St. Peter's.

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Walking through the gate into the courtyard

there is this amazing Taufscheinschale - Baptismal font...

 ...made of red sandstone in the 11th Century (1)


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And when you open the door to the church,
the former monastery church which was build between 1739 and 1742
by the wellknown Austrian building master Peter Thumb,




....it feels like coming to a "Baroque Heaven"



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joyful Putties everywhere.....


detail of one of the side altars with St. Barbara

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...it's as if they accompany their music-making friends with singing....




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...with fervent joy....



...and delight.

The mural and ceiling paintings - frescoes


tell of the life of St. Ulrich


Saint Ulrich of Zell, also known as Wulderic, 
sometimes of Cluny or of Regensburg (1029 – 1093), 
was a Cluniac reformer of Germany, abbot, founder and saint.


Statue of St. Ulrich

Ulrich was born at Regensburg in Bavaria in early 1029. 
His parents, pious and rich, were Bernhold and Bucca, niece of Bishop Gebhard II of Regensburg. 
Ulrich was probably educated at the school of St. Emmeram's Abbey, along with William of Hirsau, 
with whom he remained friends throughout his life, but in 1043 he was called to the court of his godfather, Henry III, King of the Germans where he acted as page to Queen Agnes, 
who was of the ducal house of Aquitaine, patrons of the reforming Abbey of Cluny. 
Ordained deacon by his uncle Nidger, Bishop of Freising, he was made archdeacon of the cathedral there, 
but was deeply moved by the spirit of reform that was sweeping from Cluny through the 11th century church. 

On his return from a journey to Rome he distributed his possessions to the poor, 
made a pilgrimage to the Holy Land, and, after another short visit to Rome, returned to Regensburg, 
where he founded a religious community, 
and then entered the Abbey of Cluny in 1061, during the abbacy of Saint Hugh.
Here he was ordained priest and appointed confessor to the convent at Mareigny in the diocese of Autun, 
and prior of the community of men in the same place. 
He also lost an eye and was obliged to return to Cluny.



In later life he was then named prior at Peterlingen (now Payerne) in the Diocese of Lausanne, but on account of troubles caused by Bishop Burchard von Oltingen, a partisan of Henry IV, Ulrich returned again to Cluny, where he acted as adviser to the abbot. His influence drew the Benedictine community of Rüeggisberg to become a Cluniac priory in 1072, the first reformed priory in German-speaking lands [1]. A nobleman had donated to Cluny some property at Grüningen near Breisach, and Ulrich was sent to inspect the place and eventually to lay the foundation of a monastery. Not finding the locality suitable, he and his monks moved in 1087 to Zell (Sell, Sella, Villmarszelle) in the Black Forest, where his high reputation soon brought him many disciples. He enjoyed the good opinion of Blessed Gebhard III, Bishop of Basle, who frequently visited him. In 1090 he established Bollschweil Priory, a Cluniac nunnery at Bolesweiler (now Bollschweil), about a mile from Zell. For the last two years of his life he was blind.

He died at Zell, later known as St. Ulrich im Schwarzwald, 
probably on 10 July 1093. 
He was buried in the cloister, but three years later his body was brought into the church.


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His feast was celebrated for the first time on 14 July 1139, 
and 14 July remains his feast day.

Ceiling frescoes


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all frescoes created by
Franz Ludwig Herrmann (* 7. Januar 1723 in Ettal; † 25. Juli 1791 in Konstanz)

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 The High Altar


left: statue of St. Barbara - right: St. Ulrich



St. Barbara



High Altar with statues


St. Petrus  (left)

and


St. Paulus  (right)

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detail of the Orgue

and



detail of one of the Madonna statues

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Peaceful...



...that's how we felt...


...when we left, 
heading back light-hearted to "real world",
back to Freiburg.



Passing by....


...Cows and 


...Goats...


...having their peaceful siesta.


A memorable day!




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To be continued with Part 2 - Black Forest and St. Märgen....


Photo credit:
Image (1) and all church interior images with great thanks to Andreas Praefke

Peter Thumb (1681–1767) was an Austrian architect whose family came from the Vorarlberg, the westernmost part of Austria. He is best known for his Rococo architecture, mainly in Southern Germany. Outstanding examples of his work include the pilgrimage church at Birnau on Lake Constance and the monastery library at the Abbey of Saint Gall, Saint Gallen, Switzerland.

Tuesday, 22 November 2011

A truly authentic Country Look - Une Ferme Alsacienne


'Des edredons en kelsh ancien dans la chambre,
des poteries de Soufflenheim dans la cuisine,
des poêles du XVIII. siecle dans la stube et des coffres un peu partout:
Un Musée d'art populaire quelque part en Alsace?
Non, une ferme des  adossées aux Vosges,
habitée, pensée, parée par un couple d'Antiquaire inspirés.'

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An old farm house in the Alsace, East France, on the foot hill of the Vosges mountains,
not far from Strasbourg, just opposite of  the Black Forest on the western side of the Rhine.

Charmingly decorated and interiored by Bernard and Christine Demay,
a couple of passionate Antiquaires.

Found this in an older issue of  COTE  EST
and thought it will nicely round-out my previous posts of the Black Forest region.

Because I do have quite a number of francophile readers I've left the original text in French.
 

'Vue plongeante sur la stube d'hiver, chaleureuse et recuellie autour de son poêle en fonte.
Du sol au plafond, le bois est omniprésent.
Original, le séchoir ancien accroché à l'une des poutres.'
(the old drying rail fixed to one of the beams above the cast iron stove)


La Ferme...
  same architectural style as in the Black Forest region


'....on y découvre des coffres polychromes (painted trunks) qui n'ont plus très bonne mine,
des bahuts (buffets) mis à mal par les ans...'


On the ground floor:

La stube d'hiver  (the 'winter room')....
'....au-dessus du canapé, une vue de Strasbourg et des cartes anciennes.
A l'extrème gauche, une corniche surplombe des portraits fixés sous verre,
 typiques de la région et présente une série de bocks de bière...'



'Le coins repas avec les bancs habillés de kelsh (benches with cushions of old kelsch linen)
et les traditionnelles chaises alsaciennes,
( in the Black Forest region and Southern Germany we call these chairs "Stabellen- or Brezelstuehle")


' ...une maison bien campée sur ses poutre...'


La Cuisine....
'...s'ouvre sur le jardin et, l'été, la fenètre encadrée par des huiliers de Bercksdorf,
sert de passe-plat, puisque la table et juste en dessous!
Panier à escargots, poêle à châtaignes, râpes à fromage sont suspendus au plafond,
tandis qu'un petit rideau en kelsh cache la poubelle....'



'....bel ouvrage que cet escalier de meunier qui mène aux chambres....'

The original beautiful staircase leading to the bed rooms, bath room
and
La stube d'èté  (the 'summer room')
...avec un écritoire (an 18th century writing table) Louis XVI.
et des fauteuils Louis XIII.  (early 18th chairs)...
Sur l'étagère dans un joli dégradé de bleus, un collection de pots à lait à petit pois,
à fleurettes et naives volutes.
(on the shelve a collection of old milk jars, typical for the region)

and...

La chambre d'amis  (the guest room).....
'...avec son extraordinaire ciel-de-lit en sapin.....
...Ici, on ne dort pas dans autre chose que du kelsh!
Par terre, un sac de blé qui arbore l'année de la récolte et sa provenance....'

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"...L'amour des objets est le véritable moteur des ces antiquaires-restaurateurs dans l'âme.
Dans la quitétude e leurs granges, Bernard retape tandis Christine repeint.
Leur plus grand bonheur?
Rendre à un coffre polychrome du XVIIIeme siecle,
remanié maintes et maintes fois, ses couleurs d'origine....."

- all images and text  COTE  EST, 2000 -

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Now...what is Kelsh ?


The word itself, 'kelsch' in allemanic dialect, originates from "Koelnisch Blau",
'Bleu de Cologne'  -  'Cologne Blue'.
It refers to a plant grown as animal feed, and whose leaves and stems
were the sources of an intense blue dye.  As early as the 7th Century,
the plant, along with hemp and linen, was the main crop
cultivated in eastern France and neighboring Germany.
From the 16th Century through to the 19th Century, the word 'kelsch'
 came to describe the hand-woven linen and hemp cloths made by the rural peasantry.

Kelsch denotes a plain weave in linen or hemp with checks or stripes
in ecru and blue, or ecru and red, or the three shades combined.
Blue came from the woad and later indigo, and red from madder.


  It is said that Charlemagne, Karl der Grosse, the Franken King,
who resided in Aachen (Aix-la-Chapelle) in the 7th century, 
 recommended these cloths and commended the use of linen and hemp.
Since then, in Alsace, Black Forest and the Upper Rhine region,
they have adhered to the tradition of making plain weave in these three shades.
 

These pieces of cloth, one plain bottom, one patterned top,
where tightly whipstitched together on three sides. Linen ribbons, appliqued to the open edge
  of the envelope after the three sides of the finished piece were joined,
kept the feather or straw lining, crudely in place.  Vents cut into the cloth
or formed by leaving the corners of the kelsch open,
which allowed the family to stir the stuffing with their hands, thus keeping it well distributed.

19th Century Alsace kelsch linen plaid or duvet cover, 56" x 65"
and a large pillow or bolster sham, 45" x 29" 


Large 19th century sham, Black Forest


Late 19th Century Alsace and early 20th Century Black Forest  kelsch

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All linen kelsch shown here is from my own collection
and now for sale,
should you be interested on any piece, just drop me a mail.

(detail of an 18th century polychrome trunk)

Bonne Semaine !

for further info about "Kelsch" and/or any inquiries please  contact