"Here comes the Sun"......

....after weeks and weeks, months and months of constant rain and grey....

...finally...

 ....we had one beautiful sunny day this week,
a sunny day with a deep blue sky!

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A quick peak into the garden...

...a few snap shots...

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Is Spring around the corner???

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Blue and sunny "compositions"....

18th Century French Faïences and old linen

"Light plays"

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"Once more the Heavenly Power
Makes all things new,
And domes the red-plowed hills
With loving blue;
The blackbirds have their wills,
The throstles too....."

"Opens a door in Heaven;
From skies of glass
A Jacob's ladder falls
On greening grass,
And o'er the mountain-walls
Young angels pass....."

 


 "...For now the Heavenly Power
Makes all things new,
And thaws the cold, and fills
The flower with dew;
The blackbirds have their wills,
The poets too."

by Alfred Lord Tennyson - Early Spring

"you are as young as you feel....."

“There is a fountain of youth: 

it is your mind, your talents, 

the creativity you bring to your life and the lives of people you love. 

When you learn to tap this source, you will truly have defeated age.”
  Sophia Loren

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A German Seniorenstift operators from the Ruhr area

has readjusted for a calendar twelve scenes from classic movies.

A 84-year-old was Marilyn Monroe,

the two "Easy Rider" came together to 188 years!

 

Ganz großes Kino - 

Essener Contilia Gruppe macht Senioren zu Stars

Sie schlüpften für einen Tag in eine andere Rolle, waren so cool wie James Bond, 

so glamourös wie Marilyn Monroe, so stark wie Rocky! 

Das Ergebnis ist ein einmaliger Fotokalender, der nun auf internationales Interesse stößt - 

und die Senioren im Alter zwischen 75 bis 98 Jahren selbst zu Stars werden lässt.

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Food - This is great cinema in the nursing Home:

The Essen Seniorenstift Contilia has some residents of its facilities

as Hollywood staged-Stars.

The 75 to 98 year old models from food and environment

hatched for a calendar 2014 in completely new roles,

posing as once James Dean, Marilyn Monroe or Audrey Hepburn...

read all at Spiegel Online   

here

 

The Contilia Retirement Group in Essen, Germany,

made what is probably the best calendar ever with a few of their seniors.

The result are twelve endearing motifs for the calendar "Classics 2014".

Meanwhile, 5,000 copies serve as gift to the residents of the facilities

for employees and dependents of the models.

January

Blues Brothers
Lothar Wischnewski (left), 76, and Margarete Schmidt, 77

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 February

 Saturday Night Fever
Irmgard Alt, 79, und Siegfried Gallasch, 87

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March

 Cabaret
Martha Bajohr, 77

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 April

  Titanic
Erna Rütt, 86, und Alfred Kelbch, 81

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May

  James Bond  007
Wilhelm Buiting, 89

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June

 The Seven Year Itch
Ingeborg Giolbass, 84, und Erich Endlein, 88

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July

 Dirty Dancing
Johann Liedtke, 92 und Marianne Pape, 79

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August

 Giant
Joanna Trachenberg, 81, und Horst Krischat, 78

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September

Easy Rider
Walter Loeser (left), 98, und Kurt Neuhaus, 90

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October

 Rocky
Erwin J. von der Heiden, 80

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 November

 Mary Poppins
Erna Schenk, 78

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December

 Breakfast at Tiffany’s
Marianne Brunsbach, 86

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"You can't help getting older, but you don't have to get old"

by George Burns

You can't help getting older, but you don't have to get old.

George Burns

Read more at http://www.brainyquote.com/quotes/quotes/g/georgeburn103932.html#vmMS77c9z3EveIpY.99

You can't help getting older, but you don't have to get old.

George Burns

Read more at http://www.brainyquote.com/quotes/quotes/g/georgeburn103932.html#vmMS77c9z3EveIpY.99

You can't help getting older, but you don't have to get old.

George Burns

Read more at http://www.brainyquote.com/quotes/quotes/g/georgeburn103932.html#vmMS77c9z3EveIpY.99

 Whatever age you are...

STAY YOUNG !

 

A touching Love story....

Lady of the Camellias

Ballet by John Neumeier...

  music by Frédéric Chopin,

created for Marcia Haydée in 1978,
 then prima ballerina of the Stuttgart Ballet

 
Marcia Haydée as Marguerite Gautier, 1981

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(my Camellia at La Pouyette)


The theme of the Lady of the Camellias is a love story between Marguerite Gautier, 
a "demi-mondaine" ("courtisane" in the original French)
suffering from tuberculosis, and a young provincial bourgeois, Armand Duval.

She is named as the Lady of the camellias 
because she wears a white camellia when she is available to her lover(s) 
and a red one when her delicate condition precludes making love......
more and summary... here



(my Camellia at La Pouyette)

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PARIS OPERA BALLET

La Dame aux Camélias

John Neumeier

( best seen on full screen!)

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Franz Liszt confessed that he was unable to think of Marie Duplessis, 
the muse of Alexandre Dumas who inspired his Dame aux camélias, without shedding a tear. 
Giuseppe Verdi gave her the name of Violetta Valéry and made the Traviata—or fallen woman
one of the most touching and most modern heroines in the history of opera.
 Now, in turn, John Neumeier explores this urban legend and is moved by so much love, despair and solitude. Rarely has a choreographer had a more human vision of his characters or strived for and found a truer expression of their emotions. Inspired by the music of Chopin, the ballet opens with the death of Marguerite Gautier and carries us back on the wings of time: to her encounter with Armand at the Théâtre des Variétés, where both are witnesses to the tragic fate of Manon Lescaut and yet both fail to heed fate’s inherent warning that heralds love, sacrifice, separation and ultimate decline.
(Opera National, Paris  here)

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Hamburg, February 4, 1981
 Premiere of the Ballet "Lady of the Camellias"

Moving, touching, I was in tears....

 Marcia Haydée as Marguerite Gautier - Kevin Haigan as Armand Duval
from my 1981 program

 



It is a "must" to listen to John Neumeier, 
he is for me one of the best Ballet Masters:

"My world is dance....


John Neumeier choreographing © Holger Badekow

As long as I can remember, I have always wanted to dance – even before I actually knew what it was!
 Almost from the beginning, I wanted not only to dance myself, but to create dances – 
to tell wordless stories using movement. 
 It is our nature to be in movement. 
Even while standing still, our heart must pump, the blood constantly flows, and our breath rises and falls. 
 Movement is the very sign we are alive. 

But, what has always interested me most are those special movements, guided by feelings,
 inspired by emotions which can give shape to our dreams, desires, and longings–movements which move us. 
It is my wish in choreography to translate our most intimate experiences, 
our aspirations, and deepest sorrows into moving images of beauty. 

Dance is the centre of my life–just as the human being is always at the center of dance. 
"Man" is its subject and, at the same time, its instrument. 
This instrument – the body – needs "tuning", needs a technique to make it articulate. 
The choreographer uses this well tuned articulate body instrument to shape his dreams.

 
Silvia Azzoni and Alexandre Riabko in Neumeier's The Little Mermaid © Chris Emerick

 I feel privileged in my world. 
Although it is one of extreme hard work, concentration, dedication, unconditional commitment,
 and, of course, some disappointments – 
the world of dance never was a burden nor do I feel demanded sacrifice from me. 
Dance is a labour of love. 
Each day I’m reminded of Gustav Mahler’s title for the last movement of his Third Symphony: 
"What Love Tells Me". 

The history of dance has always been alive for me – 
and the memories of legendary figures whose steps have moved us to where we stand today have influenced my own work. 
One figure particularly stands out before all others – the dancer, choreographer and man Vaslav Nijinsky. 
He has fired my imagination, moved me deeply, and inspired my ballet Nijinsky. 

Movement for me signifies life. 
The language of feelings is universal, 
and maybe most immediate when we experience them through dance."
By John Neumeier
Artistic Director and Chief Choreographer, Hamburg Ballet



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Here and now:
A great THANK YOU
to my blogger friends and worlwide readers
for your kind and positive comments to previous post,
for emails regarding the Holiday house,
and for visiting my blog.

 I can assure you that you all are in my thoughts.

Until then....whenever....
karin



"Die Liebe macht den Menschen besser,
von welcher Seite sie auch kommen möge"
Alexandre Dumas fils

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This post is dedicated to my dear friend Franziska
who was at that time the director of the Hamburg Music Hall,
 the Hamburg Symphonic Orchestra,
and who had invited me to the premiere of the ballet.
Thank you Fränzi!

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Frédéric Chopin 
Piano concerto No.1 in E minor Op. 11 - Larghetto (Romance)

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Remarks and links:

John Neumeier (born 24 February 1939) is a well-known US-American ballet dancer, choreographer, and director. 
He has been the director and chief choreographer of the Hamburg Ballet since 1973. 
5 years later he founded the Hamburg Ballet School, which also includes a boarding school. 
In 1996 Neumeier was made ballet director of the Hamburg State Opera.

Neumeier was born in Milwaukee, Wisconsin, United States, where he received his first ballet training. 
He later studied in Copenhagen and at the Royal Ballet School in London. 
He danced with the Stuttgart Ballet from 1963 to 1969, and was ballet director at the Frankfurt opera house from 1969 to 1973. 
He then became director and chief choreographer at the Hamburg Ballet. 
From 1971 through 1974 Neumeier was guest choreographer for the Royal Winnipeg Ballet, 
providing repertoire, and choreographing for that company his highly original "Nutcracker".

In 1992, he received the Prix Benois de la Danse as choreographer.

 

At the Ballet School of THE HAMBURG BALLET, established in 1978, 
young people from all over the world are trained for a professional dance career. 
The syllabus gives priority to classic-academic dance as well as modern dance technique and dance composition. 
Students of the Theatre Classes take part in performances of THE HAMBURG BALLET.
info source  here
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The Lady of the Camellias (French: La Dame aux camélias) is a novel by Alexandre Dumas, fils, first published in 1848,
 and subsequently adapted for the stage.  

The Lady of the Camellias premiered at the Théâtre du Vaudeville in Paris, France on February 2, 1852. 

The play was an instant success, and Giuseppe Verdi immediately set about putting the story to music. 

His work became the 1853 opera La Traviata, with the female protagonist, Marguerite Gautier, renamed Violetta Valéry.

In the English-speaking world, The Lady of the Camellias became known as Camille and 16 versions have been performed at Broadway theatres alone. 

The title character is Marguerite Gautier, who is based on Marie Duplessis, the real-life lover of author Dumas, fils.

info source here



 DVD available at Amazon  here
and  here