Wednesday, 10 December 2014

"By Invitation Only" - December 2014




"Christmas-Gift Giving
if Money is no Object......"

that's the subject of this month's BIO post




I'm running late with this post.....
....running just a bit out of time.... 
preparing homemade little presents which are always appreciated

Nevertheless - if money would be no object
I would shop for my best friends and family members 
at:

Frank Smythson Ltd.
more simply known as Smythson, of Bond Street
is a British manufacturer of luxury stationery, leather goods, diaries
and fashion products based in London, England.

Smythson opened his first shop on 29 September 1887 at 133, New Bond Street, London. 
The current flagship store is located at 40 New Bond Street, London. 
Clients have included the current Royal Family, Queen Victoria and many other now deceased royals, 
many UK Politicians and Prime Ministers, Sir Edmund Hillary, Madonna, and Grace Kelly 
(and many other well known clients - as well unknown ones like me :-).

Stationary Bureau


Printed brown calf leather. Gold brass hardware. Six pockets. Blotter.
Two sheets of White Wove blotting paper.
Wafer Address and Telephone book. Black ink pot.
50 sheets of Kings Cream Wove writing paper.
50 Kings Cream Wove correspondence cards.
25 matching envelopes.
£ 1 525
here



*

Frank Smythson made history in 1908 when he created the world's first practical, portable diary.
From its stitched spine and supple leather binding to the clean,
crisp leaves of Featherweight paper and glint of gold,
Frank's original design remains virtually unchanged to this day.


2015 Portobello Diary   
250 £ right  -  £ 210 left




 *


2015 Soho Diary - £ 230
Berry diary bound in printed calf leather. Enamelled gold-finish slide
Week-to-view layout with notes page
End notes
Gilt-edged, pale blue Featherweight paper.
Slip pocket

all available here:
here 



‘I never travel without my diary. 
One should always have something sensational to read on the train’.
Oscar Wilde.

*

Gentlemen's Accessory Box


Printed brown calf leather. Nubuck calf leather lined. Brass fittings
Compartments for jewellery and dressing accessories;
form small sections for cufflinks and collar stiffeners,
to a drawer with 4 watch pillows.
 £ 1 525


here:
http://www.smythson.com/brown-mara-gentlemans-accessory-box.html

*
****
******
********

Back to "earth".....
got to rush to finish - rap and pack
 my homemade/handcrafted gifts

Socks - knitted my "thoughts" into....

*

Home-baked Christmas cookies....


....hand-picked/-collected and -cracked walnuts from our garden....



...filled into old French jam glasses...

...nearly ready to be rapped in cellophane,
provided with a little bunch of Myrtle, Rosemary, 
twigs of our yew tree and with lovely ribbons.
And - plenty more to create - to do....

*

As wonderful as it can be to buy and give (and to receive!) luxurious presents
when "money is no object"
at the end
the point of a gift should be to let someone know that one is thinking of him or her.
It's not to show how much the friendship matters by spending a lot of money.
Most the time, during my whole life, I don't buy presents - 
I just invest thoughts, my heart and give my time. 

Talking about "time" - 
now I've got to dash off.....
running late - not only with this post....
 
...also with rapping and packing....and.... 
....creating more little presents

*

Please visit Marsha to read all interesting posts of our BIO-Group,
posts about gift ideas, funny ones, 
luxurious ones....and....and....

By Invitation Only
*

Finally:


In this sense....
My best wishes to all of you for a lovely Pre-Christmas time.
Stay cool - keep warm - wherever you are!

*
***
****
******
*******
*********
*

xxxk

Sorry, cannot resist to finish this post with a quote:

 "But it is a cold, lifeless business when you go to the shops to buy something, 
which does not represent your life and talent, but a goldsmith's." 
~Ralph Waldo Emerson, 
"Gifts," Essays, Second Series, 1844


Thursday, 27 November 2014

Thanksgiving Greetings



Willem van Aelst, 16 May 1627 – in or after 1683

*

Our rural ancestors, with little blest,
Patient of labour when the end was rest,
Indulged the day that housed their annual grain,
With feasts, and off'rings, and a thankful strain.

~Alexander Pope
(21 May 1688 – 30 May 1744)


German "Erntedankfest"

Remember God's bounty in the year. 
String the pearls of His favor. 
Hide the dark parts, except so far as they are breaking out in light! 
Give this one day to thanks, to joy, to gratitude! 
~Henry Ward Beecher


*

Monday, 24 November 2014

On a gray November Monday....


"Enlightenment"

 

*

"Chop that wood....
Carry water
What's the sound of one hand clapping
Enlightenment, don't know what it is

Every second, every minute
It keeps changing to something different...

...Enlightenment, don't know what it is

It says it's non attachment....."



".....I'm in the here and now, and I'm meditating....."




...last roses at La Pouyette... 3 little buds at the end of November...

 
".....Wake up....



 .....Enlightenment says the world is nothing
Nothing but a dream, everything's an illusion
And nothing is real....."

"....You can change it anyway you want
You can rearrange it...."

 Van Morrison

like to dedicate the music to 
our dear blogger friend and painter Helen Tilston

here

go raibh maith aga 
simply  THANK YOU !


*****
*
*
*****

And by the way....



.....today.....

150th Birthday of:




Henri de Toulouse-Lautrec 
24 November 1864 – 9 September 1901


 "At the Moulin Rouge"
 Self-portrait in the crowd,1892

*


Photographer:  Guibert, circa 1887

"I paint things as they are, I don't comment"

*

only a few of my favorite paintings:

A Box at the Theater, 1896

*


The Laundress, 1884 - 1886

Upon seeing a mysterious, untamed young woman with glowing red hair
while exiting a restaurant somewhere on the streets of Paris about the year 1884,
Toulouse-Lautrec exclaimed to his friend:
“She’s a stunner! What an air of spoiled meat she has! 
It would be so marvelous to get her as a model!”

Later he finally caught up to her, the woman known as Carmen Gaudin,
a laundress and prostitute that Toulouse-Lautrec tirelessly depicted in many different settings and media.
Referring to Carmen in a letter written to his mother in 1884,
Toulouse-Lautrec gushed that he was  
"painting a woman whose hair is absolute gold".

*
 
La Toilette, 1889

Redhead reveals the artist’s debt to Degas,
but instead of the ungainly figures found in Degas’ pastels,
Toulouse-Lautrec has created a beautiful, slender figure with her back to the viewer
and her rich red hair tied in a knot.
The artist had a predilection for red-headed models and it has been proposed
that his favourite model, Carmen Gaudin, sat also for this particular painting.
 

Toulouse-Lautrec gave painting lessons 
to Suzanne Valadon, one of his models 
(and possibly his mistress as well). 
Suzanne Valadon - see also my post from september 2011

*

In Bed, 1893

"Love is when the desire to be desired takes you so badly 
that you feel you could die of it"
Henri Toulouse-Lautrec 

*


"I have tried to do what is true and not ideal"
Henri Toulouse-Lautrec 

I raise my glass to that!

Sláinte - CHEERS!
xxxk
*
*
*
Remark:
Toulouse-Lautrec was drawn to Montmartre, an area of Paris famous for its bohemian lifestyle and for being the haunt of artists, writers, and philosophers. Tucked deep into Montmartre was the garden of Monsieur Pere Foret where Toulouse-Lautrec executed a series of pleasant plein-air paintings of Carmen Gaudin, the same red-head model who appears in The Laundress (1888). When the nearby Moulin Rouge cabaret opened its doors, Toulouse-Lautrec was commissioned to produce a series of posters. Thereafter, the cabaret reserved a seat for him, and displayed his paintings. Among the well-known works that he painted for the Moulin Rouge and other Parisian nightclubs are depictions of the singer Yvette Guilbert; the dancer Louise Weber, known as the outrageous La Goulue ("The Glutton"), who created the "French Can-Can"; and the much more subtle dancer Jane Avril.
Toulouse-Lautrec spent much time in brothels, where he was accepted by the prostitutes and madams to such an extent that he often moved in, and lived in a brothel for weeks at a time. He shared the lives of the women who made him their confidant, painting and drawing them at work and at leisure.
Lautrec recorded their intimate relationships, which were often lesbian......
info source   here