....is this month's subject.
Living in the Périgord where every "corner" has its own 'patina',
the houses, architects old stone work, old shutters, old doors etc.....,
reflecting hundreds - even over thousand - of years history,
being 'patinated' or weathered during the centuries,
I could talk endlessly about.......
But as an antique dealer when I hear the word PATINA
it's associate it mainly with antiques.
So, it is more than obvious for me that I'll talk about antique pieces,
antiques pieces that have varying kinds of genuine patina.
A genuine patina which has been built over the time
and is much appreciated by owners of antiques.
I'm sure that all of you who participate on our monthly BIO posts
know the definition of Patina.
But for my other dear readers:
The word "patina" comes from the Latin for "shallow dish".
Figuratively,
patina can refer to any fading, darkening or other signs of age,
which are felt to be natural or unavoidable (or both).
The chemical process by which a patina forms is called patination,
and a work of art coated by a patina is said to be patinated.
As copper oxidises it also picks extra compound up from the atmosphere
in which it is exposed,
like this very large lovely about 200 year old copper 'tube',
sitting since 'ages' in my friends garden nearby.
We still could not figure out so far for what it was originally used.
The green patina that forms naturally on
copper and bronze, in general called
VERDIGRIS,
usually consists of varying mixtures of copper
chlorides,
sulfides,
sulfates and
carbonates,
depending upon environmental conditions such as sulfur-containing acid rain...etc....
*
It takes years of experience,
observation, study,
and training to differentiate between an
antique piece of furniture
and a faithful reproduction.
Some
characteristics, however, cannot be reproduced.
like here on this French Louis XIV. armchair in walnut, circa 1740
and seen on the detail of another armchair from the same period, below
Perhaps the most
unmistakable characteristic is
Patina.
This is a mellowing of the surface
acquired by wood through age,
use, dusting, and polishing....
*
When I came to the Périgord first time in 1984
I "stumbled" over an antique Périgordian farm table
and fell in love with it!
So, I was specialised then for more than 25 years
- besides country furniture and decorative objects -
in antique French farm tables.
One of the most important things, apart from the size and originality,
was always the quality of the genuine patina, particularly on the table top.
After having bought them, after some normal restoration,
I always finally hand polished every table by myself.
My back and my elbows could tell the story........!
But what a pleasure it was to see how my efforts had made bringing the piece back to "life",
to enhance the original patina.
19th Century Périgordian farm table in walnut
nothing more delightful than a deep patina.....
Périgordian farm table in cherry wood, circa 1840-50
with some old repairs....
signs of 'wear and tear'....
...all creating that genuine patina...
*
Late 18th century table top in cherry wood
on a pair of English iron trestles from the 19th century
*
19th century
*
late 19th century farm table in cherry wood with its original extensions,
ready to be re-polished
True
patina is nonexistent on furniture only a few years old.
Although fine
mahogany, cherry, or maple, recently milled, may look handsome,
they
lack the glow that comes with a century or more of use.
This was an exceptional table in walnut and 3,20 meter long
around 1830
The tone or
color of course varies with the wood,
but the bloom grows with age and
handling.
Restoring and refinishing always must be done carefully to
avoid damaging the patina.
Table de Chasse in walnut and in its original condition, circa 1740
South-West France
The
natural aging of wood contributes greatly to its patina.
Backboards and
drawers made of soft woods also color as they age.
When they are taken
out, the upper drawers may still be light-colored because they were
protected.
But the backboards and the bottom of the lowest drawer, which
have been exposed,
will have darkened and mellowed to a soft shade of
brown.
Again, this darkening cannot be reproduced or faked by applying
stain.
*
Detail of a large early 19th century pine table
which had the most beautiful patina
Detail of a mid-19th century Oak farm table
18th Century oak table from a Chateau kitchen in the Périgord
When I went through my old table photos
I just got carried away......like now..
But - as I use to say and still do -
the table is one of the most important furniture in our western culture,
the table is the Heart of the house!
At the time they were like children for me,
giving me "pains" - but a 'hell' of a lot of pleasure!
*
Now - just for a change...
French late 18th century oil jar,
an 18th and a 19th Century lime stone finial
...all nicely weathered over the time....
A patina layer takes many years to develop under natural weathering
The oil jar was originally glazed,
but as the previous owner had it standing outside for....god knows how long...
now it looks just gorgeous for me
and it lives happily here inside the house.
"Patina is everything that happens to an object over the course of
time,"
"The nick in the leg of a table, a scratch on a
table top,
the loss of moisture in the paint, the crackling of a finish
or a glaze in ceramics,
the gentle wear patterns on the edge of a plate.
"All these things add up to create a softer look, subtle color changes, a
character.
Patina is built from all the effects, natural and man-made,
that create a true antique."
Michael Flanigan,
a Baltimore antiques dealer said.
I could not phrase it better.
18th century Périgordian small oil jar in its condition as found,
I'll certainly not touch or clean it,
that would destroy to some extend the lovely patina.
For collected pieces, the change in appearance is usually caused
by the build-up of dirt, grease, polish, or chemical changes in the
finish
or the object itself.
That "old look" usually gives an object a
rich and attractive appearance.
A silvered Louis XVI. mirror, circa 1780
and a silvered Regence mirror, circa 1730-40
both with the original glass and in their original condition
Preserving a piece's look and character is important
and removal or reduction may dramatically reduce its value.
Late 18th century chair in walnut from the Black Forest
with its natural patina, never polished by myself
*
Late 18th century hemp/wool comb or flax hatchel
from my "Old tools" collection
in metal and wood
with a beautiful patina
*
*
English vintage bread boards from the 1930-40's
just "on their way" to build up a kind of patina
Antique German cake or tart boards
(not bread boards originally, as they are called by now in the world...)
But of course perfect for any kind of use, bread, cheese....etc....
...just a few of my collection,
together with a few French vintage chopping boards
all with genuine signs of use, wear and tear
which is the base or 'foundation' of a genuine patina.
*
French late 19th century to early 20th century butter jars
with their own kind of patina
*
Valuable antique furniture and some objects will have a layer of grime on its surface
from years of exposure to dust, dirt and fumes.
Collectors and buyers of
good antique furniture look for this layer of grime,
which is referred
to as the antique's "patina."
Detail of a Biedermeier sofa in walnut,
German, circa 1830-40
*
Detail of an early French 18th Century armchair in walnut
in its original condition,
including the leather, circa 1740
*
If an object is described as having a "fine
patina" it's usually meant as a compliment.
If something is said to
"lack patina," it usually means the object lacks character.
There are so many other objects like patinated Bronze sculptures, vases, etc....
I could go on for ever...
Not to mention originally painted furniture...
...it would fill several posts...
...and you might have seen enough by now!
But - as I said right at the start of this post -
I'm an antique dealer, couldn't help -
just got carried away...again...as usual with a BIO post.
*
*
However you pronounce PATINA,
the word is as rich as the objects it describes.
"a surface appearance of something grown
beautiful especially with age or use",
"an appearance or aura that is derived from association, habit,
or established character"
which brings me to (just to name a few):
Sean Connory, born 1930
83 years old
*
Clint Eastwood, born 1930, 83 years old
*
Merle Haggard, born 1937, 76 years old
"We've got bad times behind us
And the good times up ahead
And hopes are high …"
*
Willi Nelson, born 1933, 80 years old
and
Helmut Schmidt, born 1918,
1974 bis 1982 the fifth German chancellor.
95 years old...
...still smoking - a bit like a "chimney"
smoking...as long as he can!
Helmut Schmidt is probably the only person in the world
who still smokes in public, and - is allowed to do it!
That's what I call an 'established character'!
***
Knowing the ladies in our 'BIO-club',
I'm sure that some will come up with lovely images
of beautiful "patinated" Women.
So, I have stuck to the men!
*
Coming to the end, finally....
Living in a centuries old property, in a country so full of history,
we are surrounded by patina inside and outside
including myself
;-)
Having said that....
here a little anecdote from Israel Sack,
the famous New York antiques dealer who lived
in the first part of the 20th century.
Sack is said to have used the
following analogy to help define "patina" for one of his senior female
patrons:
"Today you are a lovely woman of 60. However, who you are today
is not who you were when you were 20.
The difference is patina."
I'll drink to that!
At last but not least
for me - PATINA goes together or hand-in-hand with AUTHENTICITY.
So, stay as you are!
please pop over to Marshas' blog
to find and visit all our blogger friends,
to see and read their thoughts about PATINA
I can promise you - you will enjoy it!
just click
here
Bye - Bye, see you...
